Working exclusively under diffused north-facing window light, the studio functions as a quiet laboratory. Binders are formulated on-site using cold-pressed walnut oil and ground mineral pigments, ensuring physical stability across monumental canvas spans.
Each canvas undergoes rigorous preparation over several weeks, establishing a dense archival ground before any pigment application begins.
Selected exhibitions and public collections
Recent institutional presentations include solo projects in London, Basel, and Tokyo, focusing on multi-panel pigment studies. Works are maintained in private foundations and public institutional collections across Europe and Asia.
Catalogues raisonnés and curatorial notes are available to institutional representatives and accredited researchers upon request through the gallery liaison.